MATT MATASCI APRIL 5TH, 2018 - 5:00 AM
Bi-coastal Americana duo Goodnight, Texas are gearing up for the release of their third proper album Conductor, which comes out Friday April 6, 2018. Chock full of classic folk, country, bluegrass and rock, Avi Vinocur and Patrick Dyer Wolf have struck gold once again with their partnership. This musical tandem comes despite great physical distance – the name Goodnight, Texas is inspired by the midway point between the two members’ homes in North Carolina and the San Francisco Bay Area. Conductor is the duo’s first album since Uncle John Farquhar in 2014, though they did issue an album of unreleased tracks called An Even Longer Life of Living. Stream the new album in full below:https://music.mxdwn.com/2018/04/05/news/mxdwn-premiere-stream-in-full-goodnight-texas-powerful-new-album-conductor/
From the opening notes of “Keep Movin'” to the conclusion of “Homesick,” on Conductor the two talented singers and instrumentalists run the emotional gamut from celebratory to sorrowful. “Outrage for the Execution of Willie McGee” acutely expresses the outrage of what can only have been a racial-motivated execution of “poor black Willie,” mixing distorted guitars over powerfully effective banjo picking. It stands as a stark contrast to the more good-time feel of the acoustic singalong “Takin’ You Word For It,” which stands as one of the more pop-oriented moments of the record. “Longshot” has a bit of a garage-y feel to its take on acoustic blues while “Cassie, Come On Over” is frantically-paced fingerpick-a-palooza in the form of a a come-on to a taken woman. For the eclectic fan of Americana, there’s something for everyone on Conductor.
According to the band, “Conductor is a bunch of stories about turning points, be they personal, professional, political; and it’s a portrait of our halfhearted attempts during these turning points to harness the great electrical current of humanity…(when you have a conductor, you could use a conductor).” They add, “This one has been a long time coming for us, and a lot of death and life has happened to us in the meantime. With any luck, the dramatic tension in these tunes will hang there for the listener like a slo-mo desert sunset, like it has for us.”
Stephen Stills' autism awareness benefit concert Light Up The Blues is returning this year with a packed lineup of performers and a new, bigger venue. Neil Young, Sheryl Crow, Burt Bacharch, Judy Collins, Chris Stills, Jack Black, Christina Applegate will join Stills. The event's house band will feature guitarist Mike Campbell, keyboardist Benmont Tench, drummer Steve Ferrone (playing together in public for the first time since Tom Petty's death) alongside bassist Zev Katz, guitarist Kevin McCormick and pianist Russell Walden. The show will be held at the 3,400-seat Dolby Theatre in Los Angeles on April 21st.
Stills' 21 year-old son Henry was diagnosed as autistic shortly before his third birthday. In 2013, Stills played the first Light Up The Blues concert to raise funds for Autism Speaks on a bill that included Crosby, Stills and Nash, Ryan Adams, Don Felder and Lucinda Williams. It was held every year afterwards through 2017, growing from the Club Nokia to the Theater at the Ace Hotel to the Pantages Theater in 2015 and 2016. Tickets are now available for this year's event.
"The reason we started Light Up The Blues was out of the void of me nothaving to be micromanaging Henry so much, as he was finally in a good place," Stills' wife Kristen tells Rolling Stone. "Stephen and I wanted to give back to families that don’t have time and resources to make their kid's life a full-time job with lots of overtime."
Last year was the first time they didn't hold a concert since they started the organization. "Neil [Young] stopped by our house one day last year," says Kristen. "He said, 'Stephen, man, we gotta do Light Up The Blues again.'" Stills couldn't have agreed more. "He said, 'Look, I'm out of the Bridge School. And now it's over to you,'" says Stephen. "I watched how he did the Bridge School benefits and I got great lessons from it."
Returning to the Pantages was impossible this year due to Hamilton playing there, but in 2014 Stills saw Young play a show at the Dolby Theatre and fell in love with the beautiful, ornate building. "I fought like a demon for it because it has a stage the size of my house," he says. "We have room for everything. We can move grand pianos in and out. It's the best place I've ever been. Frankly, I never want to go bigger than a theater. We went through a lot of options, but I was very stubborn about getting the Dolby."
As in past years, Kristen has been deeply involved in the logistical planning. "People assumed I knew a lot about production," she says. "But I had to remind everyone that all I knew was how to get my laminate and meal ticket and then hang out. That was my knowledge of how it worked. I just had to dive into it and ask a lot of questions. It's been a huge learning curve and truly life-changing."
At age 89, Bacharach rarely performs in public, but he had an autistic daughter that took her own life and was anxious to participate. He'll perform "Dancing With Your Shadow," a song he recorded last year with Sheryl Crow for the movie Po. Jack Black will serve as the emcee for the event, a role he's taken on at many past Light up The Blues benefits.
The money they raise at Light Up The Blues will be given to Autism Speaks, the largest autism non-profit in the world. "We pretty much give them unrestricted dollars," says Kristen. "We have enough faith and trust in them to know where the money should land. A lot of their money goes into science and research along with child and family services, whether it's for someone high functioning or low functioning."
The highlight of the show for many fans will be watching Stills trade licks with his former Buffalo Springfield and CSNY bandmate Young. The past two Light Up The Blues shows were one of the few places they've played together in public since Buffalo Springfield's brief reunion tour in 2011. And while Crosby, Stills, Nash and Young remain hopelessly fractured, Stills and Young remain close friends. "We still love to play together because we can read each other's minds," says Stills. "That happened 50 years ago and nothing has changed. It's instinct, like two great players on a football team."
Stills spent much of last year on tour with Judy Collins, with the duo performing together at the benefit before they embark on another leg of their tour. "She's 78 and she runs me into the ground," says Stills. "We're gonna have the same band we had last year. I wish that we'd gone on the road a month before we recorded the album because everything got just cracker-jacked. We haven't seen each other for a little while, but she's someone that knows me to my toes."
He's also plugging away on a memoir, but it's been slow going. "I'm pecking away," he says. "I get on a roll and then another bag of flour hits me on the head and says, 'Don't you remember you're supposed to…' On New Year's Day my computer surged out and the surge protector didn't protect, and so I'm waiting for help so I can get back to work." When does he hope to have it done? "In my lifetime," he says with a laugh. "That's all I can promise. Considering what shape I'm in right now, that's looking better and better. The cynics have lost a lot of money betting against me. Like Julius Erving said, I'm going to live to be 100."
November 14, 2017
Sounds Like: K.T. Tunstall, Sheryl Crow, Little Big Town's Karen Fairchild on a confessional girls' night out
For Fans of: Dreamy, glinting tunes anchored by introspective, heart-worn lyrics
Why You Should Pay Attention: In 2013, Williams was spotlighted in the "Playing for Change" version of Maroon 5's "Daylight" video, but her greatest showcase was Santa Monica's Third Street Promenade, where she has performed acoustically for the last several years, selling a staggering 100,000 copies of her three indie albums. Among her customers: Oscar-winning director Ron Howard and singer-songwriter Sheryl Crow, whom she counts as a major influence. Boomerang, her debut LP for Blue Élan Records, offers an impressive array of soundscapes but still manages to keep things refreshingly simple and honest. Highlights include the swirling big-top-inspired instrumentation on "Anything Worth Saving" and "Lonely Girl," in which Williams recounts a 26-year run of lonely tears "for my string of darling dears." Resolute loneliness has rarely sounded this desirable.
She Says: "Writing has always been an organic creative process for me. I think the best songs write themselves if you can just manage to get out of the way. That's why I really wanted to keep the Boomerang sound pallet pretty organic and natural. In an era of synth pop and sample-driven music, I strove to make this record as human as possible. The closest thing to a sample on the record is the Mellotron on 'Lonely Girl.'"
Hear for Yourself: "Lonely Girl" sports a whistling intro fit for a spaghetti Western and a swirling rockabilly vibe boosted by Williams' killer voice. S.B.